Selecting multiple audio parts will create multiple files, and the event name is used as the file name. Studio One will render the audio files with the resolution of the song itself and also imprint the song tempo, creating a broadcast WAV file. After having recorded or created a piece of audio, you can store this on your file system by simply dragging and dropping the audio parts from the arrangement to the browser. The real power, however, comes into play with the two‑way drag and drop. And, because the Browser supports various file operations, such as renaming, moving and copying for folders and files, there's actually no need to use the Explorer (or Finder) for basic management tasks. Of course, how you set up your Browser is also very dependent on the way you organise your own library. Additionally, you might create new tabs for specific content - for example, for your kicks, or for a folder with genre‑specific content. One tab could link to the sample library and one to the loop library. You can split your library into several sections and attach them to the browser tabs accordingly. The Browser gives you the opportunity to create tabs in the Files section, which act as entry points into your library.
First of all, to make good use of the Browser you'll want to consider some preparation of the actual library. So what can you expect from the Studio One Browser when you're working with your carefully assembled sample and loop library? The Browser provides a very nice extension of the file system and gives you a couple of very nifty features to make managing your libraries a lot easier. Setting multiple tabs allows you to quickly navigate through your library. This will allow you to easily create new kits from the factory samples, maybe even mixing them with some of your own, and easily store these as new presets for Impact. But what's even more interesting is that the Sounds tab also provides you with direct access to the samples used in these presets.Īlthough you can recall presets for the Impact drum instrument from the Instrument section and load the complete kits, you can access the actual samples through the Sounds tab. Finding the presets you are looking for can therefore also be done based on the package that they came with, by using the Sounds tab. The presets provided by Sound Sets will not only show up in the Sounds tab, but also under the plug‑ins in the Instrument and Effect section. The Sounds tab gives you access to the installed content packages, which can contain audio, MIDI data and presets. When Sound Set files are added to locations known to Studio One, they will be detected and shown in the Sound Set tab. Manually move the Sound Set file to the physical location of the other Sound Set files. This will also launch the built‑in installer.ģ.
Drag and drop the Sound Set file onto the Studio One start page.
Studio one sound packs install#
Studio One will automatically install the Sound Set in the default location, which can be set in Options (Preferences for Mac) / Locations / Sound Sets.Ģ.
Double-click on the Sound Set after downloading the content. Installing additional Sound Sets can be done in one of three ways:ġ. However, additional packages have already been developed by Presonus (downloadable through the Presonus web site) and third‑party content developers such as Analogfactory. Sound Set files are 'content containers' specifically used by Studio One and provided, filled with factory content, as part of the installation package. Creating Sound Sets, organising file libraries and taking a closer look at the Pool are on the menu for today. Now it's time to move things forward and get our hands dirty with the file-management side of the Browser. In the previous part of this Browser workshop, in the June issue of SOS, we took a look at streamlining the use of plug‑ins and presets. In our second look at Studio One's Browser, we'll be creating Sound Sets and dipping our toes in the Pool.ĭragging the individual samples from the Impact library allows you to build your own Impact kits.
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