A man appears in the middle of the tracks and the subway crashes-soon after, the man mutates into a monstrous humanoid creature and begins killing passengers. The unnamed protagonist finds himself in the Mesh after being chased into a subway car by a group of cultists calling themselves the Holy Ring. Now it is home to outcasts and criminals, people who are unable or unwilling to coexist with the outside world. Built during World War II, this subterranean labyrinth was meant to be a base of operations for the Japanese army. The premise of Hellnight drew me in right away: below the streets of Tokyo is another, darker world-the Tokyo Mesh. Though this approach was probably taken due to technical limitations on the part of the developer, it ultimately succeeds in creating the surreal feeling of a lifeless world-even with other NPCs present. Rather than depicting characters as 3D models in-game, when you run across a character they appear as a 2D graphic overlaid on screen, to off-putting effect. Despite this the music never gets annoying or repetitive in a bad way the mood is set perfectly by it.Įven though the world of the game is ostensibly populated by other characters, you never actually see them in the "flesh". The soundtrack is eerie, minimal and super effective, consisting almost entirely of 2-4 second loops interspersed with foreboding stretches of silence. The crude, lo-fi graphics give the impression of some cursed VHS tape you found abandoned in the gutter. Hellnight (known as Dark Messiah in Japan) feels like a bad dream come to life. "None of it seems real, like it shouldn't be happening." This is not even mentioning the novel, if flawed, "psychology system" that changes story and gameplay elements by recording your choices throughout the game. It's not the most unique plot I've ever seen, but there is enough weirdness to keep it interesting. I won't recount the plot here suffice to say that what starts similarly to the original Silent Hill (Harry Mason searching for his daughter Cheryl after a car crash) goes in an entirely different direction. I'll just assume there's ALWAYS something behind me when monsters are about, thanks These are the story sections, and as atmospheric as they can sometimes be, the lack of any sense of danger is very unlike silent hill and unfortunately lends the game an episodic feel.Īh, the seldom implemented (because it's useless) "look behind you" mechanic. Unlike Clock Tower there's no downtime during these segments though! the enemy is always on your heels (or jumping out from in front of you), leading to some seriously anxiety-inducing escape sequences.Īs effective as the chase sequences are, they are the only part of the game where you can be harmed the sense of surprise from other SH games is gone because you know you're completely safe when you're not in a chase scene. Just use GameFAQs.Ĭombat is off the table this time around similar to Clock Tower, your only recourse is to run and hide.
Many of these are quite cryptic, but hidden "hint files" around the game can give the player.hints. Speaking of variety, if you have the patience for multiple playthroughs there are 10 endings to uncover depending on your actions during both the story and escape sequences. Each encounter is randomized to keep you on your toes. Scissorman can seemingly come out of anywhere-restroom stalls, under beds, through the floorboards, and god knows where else. The developers were obvious fans of classic horror (at this point can we call 80's slasher movies classic?), as evidenced in many of the action beats during chase sequences. Sue me, I've got a lot of posts to write this month Players must collect items and solve puzzles to escape, all the while ensuring that they aren't cornered and perforated by our boy.Īll screenshots were taken from the first stage. Eventually we get to the main event, in which the character finds his or herself alone and pursued by the Scissorman, a mysterious and seemingly unstoppable masked killer.
The general flow of the game is described thusly: players control one of several characters as they travel around through interminable story sequences, talking to NPCs and making seemingly innocuous decisions that determine which of five endings they will reach.
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The switch from the original's moody, thoughtfully constructed pixel art to full 3D, though. The point-and-click interface between the two games is similar.
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